Difficulty: Quite drinkable, though it may leave a punny aftertaste
Turns out I can enjoy wine even without doing very well in identifying different types
If, as Robert Louis Stevenson said, “wine is bottled poetry,” get ready for a big ol’ bucketful of doggerel. Enjoy it in moderation or even to excess – just enjoy it!
Difficulty: If you know a bit about jazz, it’s like soloing on All Blues. If not, it’s like soloing on the tune spelled out by the circled letters.
A further hint to the album in question. This is a famous spot in Northern Ireland
I played in a jazz trio for years, and even though I mostly listen to rock these days, I still put on a jazz classic every so often. Last week I listened to the album that’s the subject of this puzzle for the first time in ages. I’d forgotten how amazing and revolutionary it is.
I’d also forgotten how difficult the title track on the album is to play, let alone blow a coherent solo over. I managed that feat once in my life: one year in college, the great Mary Lou Williams was an artist-in-residence. After our jazz band rehearsals, she’d hang around and play piano while some of us would take a crack at improving our improvisation. (I’m ashamed to admit that I didn’t realize at the time what a precious and rare opportunity this was.)
One night, she had us play and solo over the song in question. I don’t remember how she did it, but she managed to get me out of my head (where I was frantically trying to anticipate the chord changes) and into the flow of the music. It hasn’t happened again.
Difficulty: Not quite as difficult (by a small margin) as scaling these cliffs would be
Esha Ness, Lerwick, Shetland Islands (see 15 Down). Note the lack of puffins.
16 Across was the “seed,” appropriately enough, though it’s a concept that baffles me, as a lifelong suburbanite. 28 Across: I had the opportunity to fly Emirates Business Class from DC to Dubai a few years ago and then fly it back from Singapore. It was probably the most luxurious travel experience I’ve ever had. 15 Down: In 2010 my brother and I visited the Shetland Islands, rented a car, and drove off to see (among other things) the puffins, which are all over the place – except, that is, for all the places we looked for them. Shortly after that trip I started a blog (long dormant) called Puffinless Travel. I’ve been to every continent except Australia since 2010 and still haven’t seen any puffins.
1 Down is way up on my favorite bands list and Robbie Robertson is a great songwriter, but after 50 years I still can’t tell you what The Weight means. 2 Down is the first Police song I ever heard and I still enjoy it, notwithstanding the lame couplet noted in the clue. In 6 Down, I added the reference to Fantasia because I have clear memories of seeing the movie, being a little scared by the Sorcerer’s Apprentice section, but loving the sound of the instrument in the answer.
Vaguely medieval-looking scene along the Rhine in Germany
My puzzle blog just turned one year old! Over the past 12 months I’ve posted 71 puzzles: 28 themeless, 34 themed, 3 “set list” puzzles, 3 “mostly musical minis,” 2 “goofy themeless,” and 1 Amy Schneider tribute midi. People from 40 countries have downloaded puzzles. Most importantly, I’ve had a blast constructing, and I hope you’ve enjoyed solving.
Today’s puzzle, miraculously, has no terrible musical puns. Instead, it has terrible historical puns. I’m that flexible!
Difficulty: Not bad if you know your musical farms
My trusty but intonation-challenged soprano sax (always blame the equipment)
If there are any soprano sax players out there – or bandmates of soprano sax players – you know what I mean by the clue on 6 Down. I’ve got a wonderful Yamaha soprano sax which requires embouchurial gymnastics to keep the low notes from being sharp and the high notes from being flat. But the horn has a rich, almost oboe-like tone, so I put up with it. Besides, every other soprano sax I’ve tried has its own intonation challenges.
Here’s a gentle April-themed puzzle. It’s named after a gorgeous song written by Dave Loggins and performed by Three Dog Night, which you can listen to here.
11 Across: I’ve been to the Blarney Stone and, in pre-COVID days, kissed it. It was an unpleasant experience, what with the rain and the need to lie on your back on hard, wet stone, scoot backwards so you’re dangling many feet above the ground (they’ve since installed guard rails) and then crunch up to reach the B.S.
39 Down: I was thrilled to be able to fit her into the grid – this is perhaps my all-time favorite GEICO commercial, out of so many great ones.
I’m not sure whether these will become a regular mid-week addition, but here’s the second in a possibly extended series of musical minis. This one is considerably easier than the one last week and features cameos from Ravel, two Bachs, the Andrews Sisters, Katy Perry, and the Grateful Dead, among others.
Difficulty: You’ll exercise some neurons. They’ll thank you.
Dog and tree (see 55 Down). The squirrel escaped. Again.
The seed for this one was 17 Across, which I listened to a couple of months ago for the first time since it was released back in 1979. I do not greatly regret the 43-year gap and will probably listen to Blood on the Tracks a few dozen times before I listen to 17 Across again. But it is 15 letters long, and it does allow a cutesy pairing with 56 Across (mascot for a candy I hold in similar regard to 17 Across).
Difficulty: Familiarity with Weird Al, Beethoven, and musical notation helps. Unfamiliarity is unacceptable and virtually guarantees you won’t complete the grid.
Organ, Helsinki’s Rock Church (Temppeliaukio Church). See 8 Down (who might have gone there since the church opened in 1969 and he died in 1973).
Here’s a piquant amuse-bouche for y’all. It’s about 2/3 music-related clues and 1/3 other stuff. Please enjoy, and please come back Sunday for a challenging themeless.